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Liu Jiacheng: It is a waste of resources to shoot a work that no one looks at again

Liu Jiacheng: It is a waste of resources to shoot a work that no one looks at again
Director Liu Jiacheng’s representative works: TV series “Iron Teeth Bronze Teeth Ji Xiaolan” (1-3) 2001-2004, “Under Zhengyang Gate” 2013, “Love in the Courtyard” 2015, “Little Woman Under Zhengyang Gate” 2018, “”Sesame Alley” 2019 new work: The outbreak of the TV series “Born Into the Sun” made Liu Jiacheng’s new drama mandatory braking before killing. He rarely had time to re-plan and think about his career and life.From “Under Zhengyang Gate” to “Love Full Courtyard”, Liu Jiacheng has always insisted on recording the stories of the people with the lens, trying to find the power of truth, goodness and beauty in ordinary people.During the epidemic, he went deep into the anti-epidemic camp in Beijing, donated money and materials, while paying attention to the story of the retrograde.He hopes to record this experience, these stories, and these people in the form of literary works one day in the future, “I may polish this script for two to three years, but I don’t need to grab a moment.I want to make a work that can be kept, spread and preserved, and let more people remember the story of anti-epidemic.”Still under” Zhengyangmen “.After returning to Beijing from other places, he organized donations and donated masks. Among the many script groups that were shut down due to the epidemic, the TV series “Born in the Sun” directed by Liu Jiacheng is particularly special.At that time, it was less than twenty days before the killing. The hospital where the crew filmed was only the interior of the building, and it could still be completed in a hurry.And as a unit play, the play has many non-starring roles, and many departures are likely to face the consequences of the original team.But on January 24, Liu Jiacheng suggested that the crew should stop working and rest, “In front of the fight against epidemic, a drama is really a trivial matter.It is extremely irresponsible if our crew broke out and spread it to the society.”Liu Jiacheng said that the crew had been waiting in Hangzhou for more than half a month, but seeing the epidemic continued to spread, the assigned cast members took the lead in returning home for the New Year.Liu Jiacheng returned to Beijing ahead of schedule on January 29. He wanted to do something for the Beijing epidemic as soon as possible.As a member of the National Committee of the Chinese People ‘s Political Consultative Conference, Liu Jiacheng, the chairman of the New Association of Dongcheng District in Beijing, initiated a letter of initiation during home isolation. In the name of the New Association, nearly 100,000 members and governing units continued to donate.On the front line, but in the rear we should do our best.We do not compare, and do what we can.”After the release of the budget book, Liu Jiacheng first donated 10 million yuan in his own name and donated 600 masks purchased from Hangzhou to Dongcheng Street.In addition, after the expiration of the isolation period, Liu Jiacheng also entered the backbone of the New Federation to go to the first Donghuashi street in Beijing where the epidemic occurred, donated materials on the spot, and volunteered.According to rough statistics, the directors and directors of the New Association of Dongcheng District donated 40 million in 60 months, 260,000 masks, 100 sets of protective clothing, and more than 1,000 kg of disinfectant.In addition to donating to the disaster-stricken areas in Wuhan, some of them have also been included in Beijing’s most needed anti-epidemic line.”We hope that through these practical actions, we can play a role in combating epidemic diseases.Touched by the epidemic, it added a line to the new drama “Living in the Sun”. The Chinese people have been involved in death since ancient times, but it is a common destination for everyone, but it is taboo to talk about the concept of life and death.”Sunshine” is based on the true experience of the young cartoonist Bearton who suffers from cancer and finds that he is in adversity, but he bravely fights the disease and insists on smiling at his life.Liu Jiacheng’s original intention in shooting this drama was to hope to bring the audience’s thoughts on life through Schumpden’s anti-cancer experience.With the outbreak of the epidemic, many friends told Liu Jiacheng that the drama “turned into” just in time.When life and death were really in a blink of an eye, a generation was forced to reflect on the meaning of life. Liu Jiacheng admitted that he hoped that “Living in the Sun” could bear more functions to smooth the pain.After resuming work, Liu Jiacheng subtly incorporated what he saw and felt during the anti-epidemic period into the creation of the work.For example, in the scene of showing the working status of medical staff, Liu Jiacheng requires more rigorous, every minor operation, inspection, burial, and removal of myocardial fluid need detailed and professional shooting, the director of the emergency department stationed in the group, the head nurseIn order to ensure stricter control, there must be no mistakes. “Especially after this epidemic, medical staff and the medical industry need to be respected by everyone.Every shot in the play also conveys our respect for them.”Before killing the youth, Liu Jiacheng also added a new line at the main corner-Bearton and three other patients shouted on the mountain,” We must all be healthy, happy, and born to the sun! “”-This is Liu Jiacheng’s most authentic feeling after experiencing the epidemic.He hopes to tell those who are unfortunately infected with the new crown virus through the mouth of Bearton: If the heart is sunny, why fear the sickness?”The epidemic made me rethink how I should get a more reasonable choice between life and death.”No matter what happens, don’t lose hope, be healthy, happy, face the sun.If this drama can make the audience really restore the law of life, I think it is a merit.[Inspiration]Liu Jiacheng said that successful plays are based on realism, and at the same time integrate the director’s idealism and romanticism.Liu Jiacheng reflected that there are too many “speculative psychology” in the creation of domestic film and television dramas. He only guaranteed that the film was finished and aired, but he did not care whether the content had the value of circulation. “Many works are broadcast once, and no one wants to watch it.This is a waste of resources.”After returning to Beijing, Liu Jiacheng was isolated at home for 14 days.He watched a “blockbuster” every night, and revisited “Casablanca”, “Pride and Prejudice”, “The Bridge of Dreams”, “Peach Trade” and some gangster classics.In addition, Liu Jiacheng finally read the painstaking and painstaking masterpiece “One Hundred Years of Solitude” in one breath, and read it repeatedly., But the story is very deep and heavy, and the thought is very deep.———— Liu Jiacheng talks about recent reading, watching sauna, night net Zhang He editor Tong Na proofreading Wu Xingfa see the topic >>> Interview with Chinese Director War Epidemic Series